Micro-stories are tiny tid bits of stories that tell a tale in an absurdly small number of words. They're found in occasional contests and postings on writer's message boards in the dim corners of the internet. There are no set definitions: sometimes fifty words, sometimes a hundred. For this posting, I wrote twenty micro stories that lean towards horror. The twist? The last few words of each become the first few words of the next micro story. The final story ends with the first few words of the set to bring it full circle. The parameters are completely arbitrary, but then so are most rules. Enjoy.
I.
A
blood soaked bandage covered his right eye socket. He gave it for a glimpse of
wisdom. It now sees the truth behind all things but will never stop bleeding. The
blood has mystical properties.
II.
The
blood has mystical properties. It flows from his fingertips as they bash
against the keyboard, never resting. If he stops typing, he will die.
III.
He
will die. The judge and jury have had their say and only the executioner
remains. A million volts of justice, but when he steps through the final
doorway, he is alone on an empty world.
IV.
He
is alone on an empty world, its sky purple and its flowers red. A dull
bluish-orange sun beats down through his faceplate. The suit carries enough
automated nutrients to keep him alive for a month. The wreckage is the punch
line.
V.
The
punch line of any joke is sadistic. If there's no victim, there's no joke. The
world itself may be a punch line, but in a cosmic oversight, we were not
informed.
VI.
"We
were not informed," the words echo. Handcuffs click closed, police smirk and
lead the way. Magic words, those. Knowledge was power and so withholding it
deprived the state of power. Silence was treason.
VII.
Silence
was treason on the low slung trireme. The ship's listener could read intent
with a song. Every sailor, from cabin boy to shift commander, knelt before
their captain with offered song. Those that refused were drowned in casks of
sea water.
VIII.
Casks
of sea water lined the museum walls, a thick-boarded barrel for each of the
twelve seas. A thirteenth barrel sat empty at the center of the room, accorded
a place adorned with candles and mystic herbs. "The Lost" was carved into the
metal supporting bands, runes symbolizing the lost sea of the immortals. Once
it had been full, but over the centuries every king stole a little until
superstitious monarchs stooped to pricking themselves with the cask's splinters
in vain hope of a few extra years.
IX.
Hope
of a few extra years drove Ruby across the
X.
An
old story on the internet showed Roger how to raise the dead. The soul moved on
though, and the body is just so much meat. That meat is base, a low source of
animal instinct. Without the soul to temper it, the body is an animal. Roger
saw his mistake its eyes. No zombie this, for intelligence is part of the meat.
XI.
Part
of the meat always clings to the bone, or so his grandmother always said. Towards
the end, she lost her mind, but something remained behind to claw at those who
cared for her. She cackled that phrase, up until the day she was found dead on
her bathroom floor. Some say the day after
she was found helpless on her bathroom floor. Her presence nagged him for the
rest of his life, half seen glimpses in the mirror, half heard snippets of
conversation never muttered by mortal lips.
XII.
Mortal
lips whisper for help. She does not. Her check rejected, her ATM card lost, I
offer to pay, and must do it over her objections. I carry dense groceries for
her daughter's dinners. We step through automatic doors into an unimagined
world.
XIII.
An
unimagined world stretches around every child. Their imagined worlds are for
more beautiful and terrible. One by one, the architecture of dreams falls into
the disrepair and chaos of the mundane and knowable. We all keep a nugget of
our old dreams.
XIV.
Old
dreams drink at their own bar on the far side of Nowhere. They sip stall lagers
and bitter scotch not aged quite right. Some dreams you would recognize. "I
want to be President" sits in one corner, a bottle of whiskey in hand. Campaign
buttons hang on his sleeves from a hundred never entered elections. All their
words run, like ink in a tear-splattered notebook. A ballerina with smeared
mascara slides in across from him and asks about the wound through his heart. "That,"
he says, "is the mark of those for whom I am no longer just a dream."
XV.
No
longer just a dream, Jack's Coffee Heaven stood tall with a glistening sign,
crystal windows, and a spreading aroma of roasted beans. The first customer
entered the shop and whispered to Jack. The store closed at noon forever.
XVI.
Forever
was her promise, but now I hear her night and day despite her death. Whispers,
shouts, sweet tickles in my ear. I know not how she remains, but she haunts me
still.
XVII.
She
haunts me still, the woman from the store. Slender, tight, luxuriant. Her look
draws me on, her brown eyes beckoning. Her knife slides across my neck.
XVIII.
My
neck aches from the stiff drive and stiffer company. In the trunk is the most
irritating of them. I drive for the docks and stroke the knife in the passenger
seat.
XIX.
The
passenger seat of his Nissan was filled with a clutter of reference books about
space and mechanical engineering. He mutters, "I may have stumbled on the
secret."
XX.
The
secret door looked like part of the wall. Only Charlie could see the silvering
of light through cracks on the edge. Dust motes scattered away from the light
as if it was a stiff breeze. Whispers came from the door except when Charlie
looked right at it. The knob would not budge until the day he tried it with a
wounded hand, wrapped in a blood soaked bandage.
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